Cannes Review: Léa Seydoux In Mia Hansen-Løve’s ‘One Fine Morning’
After she ascended to the Competition last year with Bergman Island, it’s bittersweet to see Mia Hansen-Løve back in the ranks of Directors’ Fortnight. On the one hand, it’s a testament to her versatility that she can switch back and forth so adeptly, but at the same time, it’s a little galling to see women’s […]