Новости за 02.05.2024

“The Boy and the Heron” finds the filmmaker revising—and sometimes upending—the themes that have defined his career.

The new Hulu documentary charts the rise of one of the earliest reality-TV stars and the ethically queasy production choices that cemented his fame—but it’s elevated by its interest in what came afterward.

Paula Vogel’s “Mother Play,” Shaina Taub’s “Suffs,” and Amy Herzog’s “Mary Jane” strike back at the mother-as-monster dramatic trope.

The chief economist of the U.N.’s World Food Programme on imminent famine and what’s needed to avoid it.

“Of course, the technology has the potential to destroy mankind, but, on the plus side, it could make a few lucky early investors billions.”

Chief Justice appointed in 2005: seven letters.

Starring Ryan Gosling and Emily Blunt, this action-comedy about a stuntman, by the stuntman turned director David Leitch, sticks its landings, but don’t expect characterization.

I’m truly inspired by the surreal dysfunction of your Congress—but isn’t it a little over the top?

Stifled by a weird and desperate present, the show finds some life in the treasures of the past.

Films like Luca Guadagnino’s “Challengers” and last year’s “The Iron Claw” offer Zeitgeisty takes on masculinity. Do they signal a shift in the storied genre?

The hybrid media-finance company wants to monetize investigative journalism in the public interest. Is it a visionary game changer or a cynical ploy?

Scenes of dissent and defiance at Columbia University, where scores of students have been arrested for participating in pro-Palestine protests.

Even her opponents within the Republican Party stand to profit from the Georgia congresswoman’s latest outburst.

Because the film has so little to say, viewers are free to simply focus on the vibes—which happen to be the area where Luca Guadagnino, its director, has most distinguished himself.